Category:Wine trends

The demographic history of the U.S. alcohol consumer

alcohol demographicsWe don’t drink much (and we never really have), what we prefer to drink constantly changes, and religion, gender, and income still matters in what we drink

Know all that foolishness about booze drinking in the U.S.? Prognosticators pontificating about wine, beer, and spirits consumption without any real numbers? That we’re drinking ourselves to death?

Well, forget that. Here are facts – real, certified, mathematical statistics. It’s a freelance piece I wrote for the December issue of the revived American Demographics magazine, “The Demographics of Drinkers.” It starts on page 8 of the linked site.

Among the highlights:

• U.S. alcohol consumption, per capita, peaked in the years before World War I. In other words, despite all the talk about how we’re passing out in front of our kids and the TV set, we have always been one of the least boozed up industrial countries in the world.

• The 15 or so years between the end of World War II and the early 1960s saw drinking reach a low not seen since Prohibition, less than two gallons per person a year (not even one bottle of wine a month). The reason? No one is quite sure.

• Consumption declined again in the late 1980s, thanks to tougher drunk driving laws, groups like Mothers Against Drunk Driving, and the Just Say No campaign. So today’s drink-free Millennials have nothing on their parents.

• And, perhaps my favorite bit, from a 2019 study by University of California-Davis researchers: People who prefer craft beer are more likely to have voted for Donald Trump in the 2016 presidential election, live in a rural area, drink less expensive or sweet wine if they drink wine, and spend more on alcohol than anyone else. And no one is quite sure why this is, either.

Many thanks to Dane Twining and Tim Simmons, who did the editing on the story, which had more than its share of obstacles on its way to print.

2021 $10 Wine Hall of Fame

2021 $10 Hall of FameGood news, and just when we need it — nine wines entered the 2021 $10 Hall of Fame

Somehow, nine wines entered 2021 $10 Hall of Fame. That’s the most since 2017, which also had nine.

How is that possible, given the Trump tariff, premiumization, and supply shortages caused by the pandemic? I’m not sure. Chalk it up to a bit of good fortune, as well as a variety of far-sighted importers and retailers who saw an opportunity in a market glutted with overpriced, supermarket-quality plonk.

All was not good news, of course. Some of  the greatest cheap wines in the history of cheap wine dropped out. France’s Chateau Bonnet red, white, and rose now cost as much as $20 each, while the importer for Italy’s much beloved Falesco Vitiano dropped the white and rose and limited distribution of the red. Two other wines dropped out — New Zealand’s Matua sauvignon blanc and the Australian Yalumba Y series rose, both for quality.

Meanwhile, availability became an even bigger problem last year. A half dozen more wines were Hall quality, but weren’t readily available, so I couldn’t use them. And even the ones I did add might be more difficult to find now than they were when I tasted them in 2020. There are still too many wines and not enough distributors, and the distributors that remain are so big that they don’t want products from the smaller, niche producers who make the most interesting cheap wine.

Still, given how cheap wine quality has plummeted over the past couple of years, and how pitiful last year’s Hall was, any good news is welcome. The inductees include the 2021 Cheap Wine of the Year, the MAN chenin blanc from South Africa; the Campuget and Masciarelli roses; the Italian Tenuta Carpazo sangiovese and La Valentina Montelpuciano; a vinho verde, the Aveleda Fonte; the Spanish Balnea verdejo; the French Le Paradou viogner; and an old friend, the Mont Gravet carignan.

The complete 2021 $10 Wine Hall of Fame is here. You can also find it at the Hall of Fame link at the top of the page. The Hall’s selection process and eligibility rules are here. I considered wines that cost as much as $13 or $14 to take into account price creep and regional pricing differences.

You’ll be able to print the Hall as either a text file or a PDF. Look for the printer icon on the upper right hand corner of the post.

“Monetizing” the blog: Is it worth the trouble?

monetizing blog
“Pay up, or never read about cheap wine again!”

How should the WC turn a profit on the money-losing blog?

Jan. 10 update: Thanks to everyone who emailed suggestions, kind words, and encouragement. I was especially surprised that so many of you said I was giving the blog away for free when I should be charging money for it. Wrote one reader: “l subscribe to Netflix, AppleNews+,and various financial newsletters, why not a wine letter?”

Why was I surprised? Because I’m a cranky ex-newspaperman and was taught that circulation is all that matters. Which, as so many of you noted, is a very old-fashioned and irrelevant concept in 2021.

So I’ll look at the best way to do subscriptions  and report back. And not to worry, it will include a discount for everyone from the blog who signs up.
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The end of 2020 marks another milestone for the blog – I’ve lost money on it for 13 consecutive years. Which raises the question: Is there any way to make the blog profitable? Should I even try?

The blog’s primary goal when it started was marketing, to get my name and work out among the wine world. If I made money with it, so much the better. The blog has done the former beyond any expectation. I’m continually talking to people who know the blog and who know what I do even though there doesn’t seem to be any reason they should.

But money? Not so much. Again, in the blog’s early days, that didn’t matter. I had a more or less thriving freelance business, supplemented by teaching and a little consulting. But the pandemic has put a kibosh on the freelance business, which had already been in decline. And the latter were always supplements, and never a way to make a living (and, for what it’s worth, haven’t fared all that well over the past couple of years, either). So yes, now it would be nice if the blog turned a profit.

Many of you, at this point, probably want to ask: “But what about all those ads, Jeff? Don’t they make a difference?” Yes, if you’re the New York Times or ESPN or any site that gets millions and millions of visitors. A half-million isn’t enough: I’ve never earned more than $600 or $700 a year from ads. That doesn’t even cover half of the cost of the site’s hosting service.

So that brings us back to “monetizing” the blog – it it worth the trouble? Because, in the post-modern, 21st century world of blogging, making money on the blog means doing one of a variety of choices that are less than appealing:

• Sponsored content: Sponsors pay me money, I run posts they write to plug their products, and you may or may not be the wiser. “Oh, look, the WC found something nice to say about Winking Owl!” The surprise is not that I find sponsored posts morally reprehensible; I am who I am, after all. Rather, that so many wine sites that pride themselves on objectivity take the money and run the posts.

• Premium content: Pay a fee to get special, subscriber-only content. The blog’s reason for being is to make wine accessible, so making part of it inaccessible to most visitors doesn’t make much sense.

• Begging for money: It’s not called that of course, but that’s the result. Typically, there’s a button on the blog visitors can click to send money. Or there are sites like Patreon, which all the really hip sites use. Neither sounds like me, does it?

• A paywall: The Wine Spectator and Wine Advocate have paywalls. Enough said.

• Pay to go ad-free: This is the least annoying of the choices, but it raises more questions. How much do I charge? How much will it cost to set up? Will anyone care?

Hence, nothing will likely change, and the blog will continue to limp along financially. Unless, of course, someone else has a better idea? You can leave a comment or send me an email.

This California winemaker is impressed with nutrition fact boxes

nutrition fact boxes
Just 100 calories — take that, light beer.

Not everyone in the wine business thinks nutrition fact boxes are the spawn of the devil

Anthony Riboli didn’t necessarily want a nutrition facts box on his peach flavored fizzy wine. But U.S. and Italian wine regulations required it – and you know what? The facts box isn’t so bad.

“I wish I could say I had a choice in the matter, but now there are obvious benefits,” says Riboili, the fourth-generation winemaker for his family’s San Antonio Winery and its four brands. “Are wine connoisseurs going to care? Probably not. But it will it open us up to drinkers who may not identify themselves as wine drinkers? I can see that.”

The wine in question is the Stella Rosa Golden Honey Peach, a fizzy Italian moscato flavored with peach that has 100 calories, no added fruit juice and no sodium. How do I know this? It’s on the back label. (Click on the label to make the picture bigger.)

The wine snobs reading this probably stopped after the last sentence. It’s bad enough he’s writing about nutrition facts again, they’re thinking, but a peach-flavored moscato? That’s not even real wine. Cancel my subscription!

Which is their loss. As has been argued here for years, the future of the wine business has a nutrition facts box in it, even if no one in the wine business wants to admit it. If Smoothie King wants ingredient transparency, why not wine?

Yes, there will be short-term difficulties, particularly for smaller producers. But the long-term benefits will be more than worth it. Consider just one: A light beer has about 100 calories, while a normal glass of wine has 125. In other words, not all that much difference, and wine tastes better. But how is anyone going to know unless they can check a nutrition facts box?

In fact, Riboli told me that the peach wine nutrition facts box has worked so well that he’d consider adding one to San Antonio’s traditional wines, assuming any potential legal issues could be resolved about how the information could be used.

One other note: The wine was damned good – well-made, peachy, not too sweet, and fresh and sparkly. I’ve tasted much worse from serious winemakers chasing 92 points, but who don’t want to use a nutrition facts box.

More about nutrition and ingredient labels:

• Clean wine: Has the Winestream Media finally figured out why we need nutrition and ingredient labels?
• Nutrition labels for booze
• Bud Light debuts new and improved ingredient labels

Birthday Week essay 2020: Wine as expensive shiny baubles instead of something to savor and enjoy

cheap wine
“Ha! Just try and keep me from writing about cheap wine.”

How did we end up in a Peloton wine universe, when all we want is something to drink with dinner?

How does one keep cheap wine in perspective, given this year of living depressingly – the pandemic, the Trump wine tariff, the presidential election, the sommelier sex scandal? In fact, why even bother? Why not just load up on Winking Owl at Aldi, get hammered, and leave it at that?

And who would blame us if we did? Has cheap wine ever been worse off in the blog’s 13-year history? Yes, I know I seem to write that in each of the blog’s annual Birthday Week essays, and I am writing it again for the blog’s 13th birthday. But that’s because, sadly, it always seems to be true.

We’ve been dumped into some sort of bizarre Peloton wine universe, where everything is sold to us as an expensive, shiny bauble – even when it is neither expensive, shiny, nor a bauble. And, most infuriatingly, even if we don’t need it. I got a $17 sample this fall, and the tasting notes were past snotty (let alone indecipherable): “Polished fore palate with ample fine grain tannins on a generous mid palate.”

We want quality and value, and the wine business gives us $15 supermarket plonk because surveys say that’s the hot price point. The cost of the wine in that $17 sample, allowing for some crude math, was probably less than $4; does that mean the tasting notes cost more than grapes? We aren’t customers anymore, but lines on a spreadsheet, metrics to be parsed, trends to be analyzed, and preferences to be focus grouped.

How did we get to this point?

It starts with the state of the world, and is not exclusive to wine. It’s what one observer has called late-period capitalism, which is based on “taking beloved institutions and destroying everything that made them great so that a few billionaires can get even richer.”

Wine’s contribution is consolidation. Today, most of the world’s wine production is in the hands of maybe a couple of hundred companies, and the U.S. business is even more top-heavy. The top five producers account for about three-quarters of U.S. sales, even though there are some 10,000 wineries, while the two biggest distributors control half the wholesale business.

The result? An almost surreal wine market:

• Cheap wine that tastes cheap — poorly made, stemmy, and bitter, and produced for no other reason than to cost $3 or $4 a bottle.

• $15 wine made for a mass audience — sold in supermarkets and the biggest retailers, slightly sweet and “smooooth,” and where more money may be spent on label copy than on the grapes.

• Expensive wine that exists for no reason other than that it’s expensive, and which commands the fawning supplication of the Winestream Media.

The idea that wine should taste like wine, and that it is something that most of us can afford to drink with dinner – which was the idea of wine for much of the past 200 years – is a quaint, old-fashioned notion. Which only cranks like me still believe – because, of course, late-period capitalism.

So is it time for the Winking Owl?

Hardly. Wine is a pleasure, something to be enjoyed, and something that makes life more enjoyable. A glass of wine after a day of good writing is something to be savored and appreciated, not scored and cataloged and trophy-ized. Why should I let people whose idea of success is as offensive as it is self-defeating spoil it for me?

Yes, cheap wine is in a bad place – we’ve lost much quality cheap wine over the past couple of years thanks to producer and distributor consolidation, and consolidation has wreaked havoc with availability. And it’s not like availability was easy even in the good old days.

But there is still great cheap wine out there, it’s still worth looking for, and I’m going to keep looking for it. Call it the cheap wine version of grace under pressure – if something is worth doing, then we should do it, even when it may not be easy. No, finding great cheap wine won’t solve the world’s problems, but it may help us endure until we can figure out a way to solve them. That’s a fine job in and of itself, and one I am happy to do –because we must solve them.

More Birthday Week perspective on the wine business:
• How do you write about quality cheap wine when the system is rigged against it?
• Have we reached the end of wine criticism?
• 10 years writing about cheap wine on the Internet

Wine Curmudgeon most popular posts 2020

popular posts 2020
“Churro, we need to find a way to boost blog traffic. Your being cute didn’t do much.”

The Wine Curmudgeon’s most popular posts 2020: Not necessarily about cheap wine, and a lot fewer visitors

What does one make of a blog about cheap wine when a majority of the most popular posts weren’t about cheap wine — or  were even wine reviews?

That’s where we find ourselves as the blog celebrates its 13th annual Birthday Week. Only four of the top 10 posts from November 2019 to November 2020 were sort of about cheap wine. And one was about as far removed from cheap wine as possible — a six-year-old post about the $300 Coravin wine opener at No. 10.

Ordinarily, I’d blame all this foolishness on our overlords at Google, whose search engine algorithm has more to do with sending visitors to the blog than anything I write. But the past 12 months also saw a precipitous decline in traffic, about one-third from last year’s 600,000 or so visitors. That no doubt also contributed to the bizarre top post results — fewer visitors exaggerates the importance of the posts that do get traffic.

So what caused the drop? The pandemic, almost certainly, combined with the U.S. presidential election. There were other things on people’s minds that didn’t involve finding a $10 wine that doesn’t taste like alcoholic grape juice. Even sites like Linkedin, which should be immune, may have had some traffic declines.

Which I understand. The problem comes if traffic doesn’t recover if and when we get back to normal toward the end of next year. What’s the point of a wine blog where no one wants to read about wine?

The top 10 posts of 2020:

1. The four-year-old “Barefoot wine: Why it’s so popular.” This was the top post in 2019, as well, and was No. 7 in 2018. But it didn’t make the top 10 in 2016 or 2017, which makes no sense given how the Internet is supposed to work.

2. The Kim Crawford wine ad critique, which moved up from fifth in 2019. There are 38  comments, most very harsh about the ad; that’s not only a lot of comments for the blog, but that so many people agreed with me is also unusual.

3. The 10-year-old Barefoot wines (again) post was third for the second year in a row. How does a post that old get so much traffic? Ask our overlords at Google.

4. The residual sugar post was fourth, after being second for two consecutive years. This is something I am quite proud of, that wine drinkers can come here and get practical information to help them make intelligent decisions.

5. The Louisiana shrimp boil wine and food pairings post l call it my contribution to making the pandemic a little less difficult It’s also the first wine and food pairings post to make the top 10.

6. Ask the WC 1 — another pandemic-specific post, I think. It offers cheap cava suggestions, though why a seven-year-old post that was only partially about cheap cava is beyond me.

7. The 2020 $10 Hall of Fame. Long gone are the days when that year’s Hall of Fame was the most visited, and a couple of others would be in the 1op 10. Again, I have no idea why, and it’s more than a little sad.

8. Will the pandemic bring permanent changes to the three-tier system? This is self-explanatory — and  one of the few hopeful things to come out of this year.

9. A post about discount wine retailer Grocery Outlet. Which, hopefully, is coming soon to a town near you.

10. That damned Coravin post. I wonder if it’s because I actually discussed its value to wine drinkers, instead of fawning over it like most of the Winestream Media.

A few other thoughts:

• The $10 wine category was 34th for the second year in a year. Double sigh.

• The various five-day, $3 wine challenge posts dropped out of the top 10. The highest ranking one was 15th, and again, I have no idea what that means. One would think this would be a very popular pandemic-related post.

• My undercover, illegal interstate wine shipping post was 16th, which isn’t bad since it didn’t post until the end of July.

More about the blog’s top posts:
• 2019 top posts
• 2018 top posts
• 2017 top posts

Wine tariff update: It looks like things are going to get worse before they get better

tariff warNew 25 percent EU spirits tariff threatens to ratchet trade war up another notch

The good news about repealing the 25 percent Trump European wine tariff? The administration that levied it will be gone in a couple of months. The bad news? A couple of commentators don’t see the Biden Administration as being necessarily more friendly toward trade and the European Union.

Alan Beattie, writing in The Financial Times, says the new administration won’t be as loopy on trade as Trump’s was, but that the days of free-traders Bill Clinton and Barack Obama won’t soon return. A Biden Administration won’t rush into anything, and while saying it believes in free trade, may not do what we want or hope it will do.

The other bad news? This week’s 25 percent European Union duty on U.S. rum, brandy, vodka and vermouth – one more tax as part of the Airbus-Boeing aircraft parts dispute, whose sad, pathetic history has turned into something only Dickens would recognize. This is in addition to a 25 percent tariff on U.S. bourbon and other whiskeys that took effect in June 2018, while Trump retaliated with the wine and Scotch tariff last fall.

In other words, all of us who were cautiously optimistic about being cautiously optimistic were probably too optimistic. Whatever signs there were that the EU was willing to compromise with the Biden Administration disappeared with the most recent tariff. Spirits producers on both sides of the Atlantic were already reeling – one trade group puts the sales losses at more than 30 percent for Scotch labels in the EU and more than 40 percent for U.S. brown goods companies. Hence, it’s difficult to see one more tariff as a sign of good faith.

Having said that, the Financial Times’ coverage of the U.S.-EU tariff war has been universally gloomy, so that’s one thing. More importantly, we’re all adults here, and rational people on both sides must realize that throwing tariffs at each other to settle a dispute that has already been mostly settled (both aircraft companies have renounced the illegal subsidies) seems pointless – as well as economically dangerous. And isn’t the economy in enough trouble as it is?