Category:Wine Curmudgeon

Restaurant wine: What we’re drinking, part I

image This is the first of two parts looking at restaurant wine and what Americans drink. Part II will appear Sept. 22.

If anyone wonders why more people don ?t drink more wine in restaurants, look no further. The answer is in this year ?s Top 100 Wine Brands and Top 100 Individual Wines, a report compiled by Restaurant Wine magazine tracking restaurant wine sales in 2007.

And the reason? Restaurants sell a lot of very undistinguished wine.

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? Top selling restaurant wines: Restaurant News has released its 2007 list of the best-selling wines in U.S. restaurants, and there aren ?t a lot of surprises. The top five are Kendall-Jackson Vintner’s Reserve Chardonnay, Beringer Vineyards White Zinfandel, Cavit Pinot Grigio, Sutter Home White Zinfandel, and Inglenook Chablis. I ?m going to write more about this, but what ?s worth noting now is that there are only two red wines in the top 20: Yellow Tail shiraz at No. 9 and Blackstone merlot at 20.

? Australians take their wine seriously: An Aussie grape grower plotted to blow up a rival winery when they reduced their payments to grape growers. The grower, Steven Bergamin, hired a private nvestigator and an undercover policeman to do the job, using a remote-controlled device so he could watch from a distance. He was given a suspended sentence.

? Wine Curmudgeon at GrapeFest: Those of you in the Dallas area can see me at 11:15 a.m. on Friday, when I talk about how to taste wine. It ?s titled ?Wine tasting 101: Or "How to Spit and Swish Without Making a Mess." GrapeFest, of course, is one of the largest regional wine events in the country, and its People ?s Choice tasting is unique ? wine drinkers are allowed to make up their own minds, without any help from people like me.

Regional wine: DrinkLocalWine.com

Originally, the idea was simple. A handful of wine writers, including the Wine Curmudgeon, would blog about regional wine on the same day, score a few points for North American wine that isn't from California, Washington, and Oregon, and maybe attract a few new visitors to our sites

So how did we end up with DrinkLocalWine.com, a week-long project next month that has attracted some of the best wine writers in the country, people like Doug Frost, Alfonso Cevola, and Gil Kulers?

I'd like to say it was my idea, but much of the credit goes to Dave McIntyre, who is not only a fine wine writer but someone with a professional and thorough knowledge of regional wine (though his lack of appreciation for the norton grape is mystifying).

So what is DrinkLocalWine.com and why do you need to know about it? There ?s no link posted because the site isn ?t quite ready, but if anyone wants the press release announcing the project, email me.

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Time magazine knows almost nothing about regional wine

The Wine Curmudgeon loves regional wine. It ?s one of my reasons for being. So, when I saw that Time magazine had done a major regional wine article, I was excited. Overwhelmed. And really thrilled,

Which was my mistake.

I rarely call out other writers and other articles. Everyone is entitled to their opinion ? after all, some people might even object to me. But the Time piece is flawed — factual errors and so much damning by faint praise that I have to say something.

Regional wine should be taken seriously. If it ?s good, say so. If it ?s crappy, say so. But the author, Joel Stein, seems more concerned with being flip and hip and other clever things than he does talking about wine. If he had used this tone for an article about California wine, the Wine Magazines would have skewered him. And deservedly so.

And you know the worst part? He liked most of the wines he tasted. But that doesn ?t excuse being lazy or wrong or both.

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• Kerrville wines: The Wine Curmudgeon had a terrific time at the 17th annual Kerrville Wine & Music Festival over the weekend, where I talked about Texas warm weather red wines with Llano Estacado’s Mark Hyman, my pal John Bratcher, and an enthusiastic and knowledgeable audience. We featured Homestead Red ($13), a blend of ruby cabernet, merlot and pinot noir, from Homestead Winery in Ivanhoe; and three Rhone-style blends: Llano’s Melange ($11), which used to be called Signature Rhone Red), Becker Vineyard’s Prairie Roti ($17), and McPherson Cellar’s Tre Colore ($13).

• More on the fake wine award: An astute letter writer tells the San Francisco Chronicle: “If I said I had invented the world’s fastest computer and told fake details about it without ever having to prove it existed, would I deserve to get a high-tech innovation award for inventing the world’s fastest computer.” The comment is astute and should answer all questions about this dustup.

• Free wine: Wineries send me samples to taste, which I have noted. Rodney Strong has changed the rules of this game for bloggers, and this has caused a bit of cyber commotion. Some of it is of the “Are bloggers really critics?” argument, which I’m quite tired of. I write for the mainstream media and I do this, and as long as someone does the work, their platform doesn’t matter. Some of it is the conditions Rodney Strong placed on the bloggers, which don’t seem onerous. This controversy strikes me as something else for wine people to argue about that no one else is interested in. We like to do that.

Green wine, part I: What is it?

This is the first of two parts looking at green wine and environmentally friendly ways to produce and package wine. Part II, which looks at how green wine tastes, is here.

Each week, I get a handful of news releases detailing the wonders of some producer’s latest foray into environmentally friendly wine. Almost always, the releases focus on the packaging and almost never on the wine itself. Their point, it seems, is that we should focus on the product’s carbon footprint (a way to measure how much in the way of greenhouse gases ordinary things produce), instead of the product.

This is not a good idea. People drink wine because they like the way it tastes, not because it comes in a box that meets European Union specifications. In addition, the entire concept of what ?s green and what isn’t is so unclear that some green products could be worse for the environment than some non-green products.

Green wine has a role to play, but only if it tastes good. If it doesn’t, then consumers will ignore it — regardless of how many trees the packaging saves.

The first problem with green wine — even before deciding whether it tastes good or not — is defining it. Does it need to come in low carbon footprint packaging? Should it be organic? Does it need to be local (and local is local)?

I’ve yet to see a good answer to any of these questions. And that may be because there aren’t any. The issue is so intertwined that it’s impossible to decipher. For instance, is it more green to drink organic wines from California than non-organic wines from Texas? The former has a smaller carbon footprint for production, but a bigger carbon footprint for sending it to my local store. Or is a properly made boxed wine automatically green, even if it comes from Australia — which carries with it a massive shipping carbon footprint?

This is more than a philosophical discussion. The wine industry may well be looking at green wine backwards, says John Bookwalter, who runs Bookwalter Winery in Washington state. It may need to look not at  the packaging or the grapes, but at where their supplies come from.

There is a significant carbon footprint expense in bringing French barrels, Portugese corks. Italian glass and Spanish foil to Bookwalter’s winery thousands and thousands of miles form the source of the supplies. And this is even before he ships the finished product, with its attendant carbon expense.

“All of the above choices were of course mine,” he says, “but now with fuel costs as high as they are, production jobs leaving the U.S. and the significant carbon emission footprint our products ‘imprint’ on the environment in terms of delivery, I am really re-assessing our sources for our supplies.  I will not sacrifice quality, but I will certainly seek out localized sources in the future to a much greater degree.”

In other words, it doesn’t make a whole lot of sense to sell a wine as green when the carbon footprint for the packaging materials defeats the savings in using green packaging.

Consider the consequences for some wineries: Screw caps instead of corks and stainless steel aging instead of barrel aging among them. Is green wine worth that?