Category:California wine

Tuesday tidbits

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? Nutritional labeling of wines. Yes, you read that right — just like peanut butter, potato chips and soft drinks. The federal agency that regulates wine wants to add serving facts, which will require information about serving size, number of servings per container, calorie, carbohydrate, protein and fat content. The wine industry isn’t thrilled, since nutritional labeling adds cost to the product, and makes it less aesthetically appealing. The image above is a sample, taken from the Federal Register, which seems harmless enough. But smaller wineries, especially regional ones, will probably struggle to meet the requirements. It’s one thing, with economies of scale, to put the label on tens of thousands of bottle. It’s another to do it when you produce just a couple of thousand bottles.

? Vintners Hall of Fame. Ernest and Julio Gallo (E&J Gallo Winery), Paul Draper (Ridge Vineyards), Milijenko ?Mike ? Grgich (Grgich Hills) and Sacramento wine merchant  Darryl Corti will be inducted into the hall, sponsored by the Culinary Institute of America’s Greystone campus. Also named as Pioneers are the founders of three of California’s most historically important wineries: John Daniel (Inglenook); Louis P. Martini (Louis M. Martini Winery); and Carl Wente (Wente Vineyards). It’s especially heartening to see Draper’s name on the list. Ridge is among the finest U.S. wineries, and has constantly strived to make zinfandel a socially acceptable grape in a world of cabernet and merlot snobs..

Students taste wine — and notice the difference

Cordon Bleu wine class

My introductory wine students at the Cordon Bleu in Dallas did their in-class tasting on Friday. This is not only an important part of the class, but a big deal for the students. Many of them had never drunk wine before, let alone tasted it in a serious, professional manner.

And, apparently, they learned something.

At some point during the class, maybe around the third red wine, I started to get the sense that the past two weeks were sinking in. Teachers with more experience can probably describe this sensation better — the light bulb going on over the head moment, when everything I had lectured, cajoled, threatened, and discussed with them in class was finally making an impression.

They realized that the tannins in the merlot were bigger than the tannins in the pinot noir, and that the tannins in the cabernet were bigger than those in the merlot. They tasted — and could explain — the fruit difference between the shiraz, merlot and the two pinots. They even seemed to understand the difference between the two cabernets, a youngish one from Sonoma and an older one from Napa.

Most importantly, when we talked about food pairings for each wine, most didn’t have the blank look that had been on their faces since the first day of class. White zinfandel, which had been their stock answer for any pairing, never came up. Someone suggested pot roast for the Oregon pinot; someone else said absolutely not. The wine wasn’t big enough. I was almost giddy.

I even got a compliment. I had warned them that this wasn’t going to be an afternoon at the beach, where everyone would get a pleasant glow. I told them this was a serious, professional tasting, doing 10 wines in a little less than two hours. It was swirling, smelling, discussing, and then tasting, spitting, and more discussing. What did the wine smell like? What did it taste like? How was it different from the others? What do you think it costs? Is it a value? What would you pair it with? Of course, they didn’t believe me. No one ever does when I tell them tasting wine is hard work.

Anyway, about three-quarters of the way through, one of the students (whose test grades reflect how much attention he pays in class) said: “Mr. Siegel, you’re right. This is work. I couldn’t do what you do. I wouldn’t want to do it.”

It’s the small victories in teaching, right?

The wines we tasted:

1. Pikes Riesling 2006. A dry Australian — OK, but nothing spectacular.

2. Husch Vineyards Sauvignon Blanc 2006. Good example of the California style, with some grapefruit mixed with tropical fruit.

3. Joullian Chardonnay 2006. Not as oaky as some from California, but oaky enough so that the students got the point.

4. Lange Pinot Noir Willamette Valley 2006. A good wine, but not as good as I have had from Oregon.

5. X Winery Pinot Noir Los Carneros Truchard Vineyard 2006. To my mind, one of the two best wines we had, with wonderful fruit and soft yet sturdy tannins.

6. Dusted Valley Stomp Merlot 2004. Very ordinary New World style merlot. The least favorite of most of the class.

7. Teira Zinfandel 2005. A stunner — low alcohol, with spice and blueberry. I was ready to go buy a case and make a pot of red sauce for spaghetti and meatballs for the class.

8. Wishing Tree Shiraz 2005. The students who had tasted lesser shirazes, like Yellow Tail and Rosemount, were excited they could tell the difference between those and this one.

9. Liparita Enlace Cabernet Sauvignon 2002. A nice Napa cabernet, with the requisite zingy tannins and dark fruit.

10. Mantra Revelations Reserve Cabernet Sauvignon 2005. This Sonoma cabernet was, as the class noted, younger and easier to drink, though not as complex, than the Enlace.

A few thoughts on sauvignon blanc

sauvignon blancThe Wine Curmudgeon loves sauvignon blanc. It ?s usually inexpensive, and you can buy great wines for about $15. It ?s food-friendly as well as refreshing on its own, something that can ?t be said for a lot of chardonnays. Finally, it pairs with a variety of white wine foods, and especially with seafood — oysters, mussels and even grilled shrimp. And it pairs with almost anything with garlic and parsley. In fact, just writing about sauvignon blanc, garlic and parsley makes me want to reach for a glass.

What causes the differences between the wines? A combination of weather, soil, and the winemakers ? preferences. The geography of New Zealand – ? an island in the south Pacific — is entirely different from that of Bordeaux, off the Atlantic coast of France. And California is completely different from both of them. Throw in winemaking differences ?- the French do things differently from the Chileans – ? and you have a wine with as many differences as similarities.

Here ?s a guide to the most important regions, what makes that region different, and some representative wines:

? France: The best sauvignon blanc in the world used to come from Sancerre, about 150 miles west of Paris. But prices have gone up, and quality has not improved. At its best, Sancerre is less fruity than the New World wines, with wonderful flinty qualities (look for wine from an area called Chavignol). But good luck finding anything for less than $20. A better bet are the $10 sauvignon blanc/semillion blends from Bordeaux, like Chateaus Ducla and Bonnet, which have the mineral character that Sancerre is getting away from.

? New Zealand: Sauvignon blanc doesn ?t get better than this, both in quality and price. The best wines ? Kim Crawford, Whitehaven, Villa Maria, Nobilio, and Spy Valley ? have the region ?s distinctive grapefruit flavor, but in balance. I especially like the $16 Spy Valley and the $12 wines from Villa Maria and Nobilio.

? California: California shouldn ?t be cold enough to make great sauvignon blanc, but there are dozens of excellent producers, including Benziger, Kenwood, Geyser Peak, and Jewel at around $10 and Cakebread, Duckhorn, St. Supery and Chalk Hill up to $30. California sauvignon blancs have more tropical fruit, like lime and pineapple, and what is described as grassiness (difficult to explain, but recognizable when you smell it).

? Chile: Not always for the faint of heart ? can be like New Zealand without the balance. That said, there ?s nothing wrong with the wine, and most of the labels we see, like Veramonte and Los Vascos, are $10.

? South Africa: People who are supposed to know about these things say this will be the next great sauvignon blanc producer. I ?ve had decent wines, more French in style, from Robertson ($10) and Republic of Sauvignon Blanc ($16).

The 2008 $10 Wine Hall of Fame

Take a peek at the upper left hand corner, and you’ll find the new Hall of Fame.

What makes a Hall of Fame wine? There ?s not necessarily a precise explanation. It ?s better than it should be, and it ?s consistent from year to year, just like more expensive wines with better reputations. That ?s one reason wines have been dropped from the Hall of Fame, and several were this year.

Several other notes:

? These wines are generally available in the Dallas-Fort Worth area, so I don’t have to get involved in the Two Buck Chuck debate. There are no Trader Joe’s in this part of the country.

? I am not enamored of Yellow Tail, which doesn’t rise above the level of grocery store wine. They may represent good value, but they aren’t Hall of Fame wines.

? I ?m still searching for that terrific $10 Argentine malbec. Most of the malbec I ?ve tasted in this country is $15 or so; good wines, certainly, but not eligible for the Hall of Fame.

? And there is no pinot noir in the U.S. for less than $10 that is Hall worthy. The French labels like Red Bicyclette and Lulu B are easy to drink, but not especially pinot like. And most of the $10 U.S. I have tasted has some varietal character, but almost nothing else.

Sparkling wine for New Year’s

Keep three things in mind when you're picking sparkling wine and champagne for New Year ?s Eve. 

First, there is plenty of quality wine from places other than France, especially from the New World, Spain and Italy. There is also plenty of quality wine from France that isn't the same old stuff. Please, please try something other than Veuve Clicquot and Nicolas Feuillatte. 

Second, vintage isn't especially important. NV on the label stands for non-vintage ? that is, the grapes used to make the wine come from several years instead of just one. It ?s a common practice, even for the most expensive brands, to ensure quality. 

Third, only sparkling wine made in the Champagne region of France can be called champagne, thanks to a 2005 trade agreement (though some California brands, like Korbel, are grandfathered in). But if the label says methode champenoise or m thode traditionelle, it was made in the Champagne style 

And cost? There is more than acceptable bubbly at almost every price, and even some expensive wines are good values.

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Tale of two wines

On the one hand, at $65, Flora Springs Trilogy 2004, a Bordeaux-style red blend. On the other, Solaz Shiraz Tempranillo 2004, about $8. Which offers more bang for the buck?

This is not as silly a question as it sounds. The price value ratio isn’t considered nearly enough in assessing wine. That’s one of the problems with scores, which don’t allow for quality based on price. No one is arguing that the Flora Springs isn’t a well-made wine, because it is. It was a bit young, and to my mind had too much acid (though not everyone who tasted this with me agreed). But it was, save for the acid, integrated and  complex, full of lots of dark Napa fruit and even some cocoa. It wasn’t especially subtle, but this kind of wine isn’t supposed to be.

The question, then: Is it eight times better than the Solaz? The answer is no.

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Wine of the week: Tamas Estates Pinot Grigio 2005

This is a long-time favorite (it used to have another name and another label), but one that doesn’t seem to be available when I want to buy it. It’s a $13 California wine with Italian-style minerality — the flinty quality that in poorly-made pinot grigios tastes like turpentine. But it also has lots of California citrus fruitiness. This is an excellent wine to serve as an aperitif during the holiday season, or with Christmas dinner leftovers.