Tag Archives: wine humor

8 signs you’ve been writing about wine for too long

writing about wine
“Please help me before I Andy Rooney again.”

Because, after more than 2,500 blog posts and even more time spent writing about wine for magazines, newspapers, and the Internet, even the Wine Curmudgeon sometimes wonders what he has wrought:

1. You know the cheap wine inventory at the biggest retailers in town better than the retailers do. And you’ve tasted more of the wine in their stores than they have.

2. You don’t read wine reviews or other wine writers; you read wine industry trade magazines and websites and follow what’s going on the way you used to follow baseball.

3. When you interview younger winemakers and mention a wine you tasted 10 or 15 years ago that was a big deal at the time, they not only don’t know the wine, but give you that kind but dotty old man look.

4. You find yourself, despite your best intentions, launching into Andy Rooney mode when someone says something stupid about wine — and especially if it’s obvious they don’t care if what they’re saying is stupid.

5. You know what someone means when they talk about glassy-winged sharpshooters and vectors, and you aren’t embarrassed by it.

6. You interrupt conversations to offer your insight into odd grapes like ugni blanc or marquette, and you get that kind but dotty old man look when you do.

7. You make a pop culture reference in one of your El Centro wine classes, and you get that kind but dotty old man look when you do. Honestly, does knowing who Catherine Deneuve is make me that out of touch?

8. You get a news release from someone touting a wine, and you realize you first tasted that wine before the person who wrote the release was born.

Drinky the Robot

Thanks, Drinky the Robot — the WC will never have to drink alone

drinky the robotOne of the perils of being the Wine Curmudgeon is that, eventually, I will alienate everyone in the wine business — if I haven’t already. Like with this. Or this. Or even this. Which means there won’t be anyone left to drink with me. Fortunately, a Korean inventor has solved my problem with Drinky the Robot, and I am more than grateful.

Eunchan Park created Drinky because — and I know his pain — he didn’t have anyone to drink with. “I had no girlfriend at that time,” Park wrote. “Drinking alone was definitely terrible!” Of course it is, if only because there is no one to commiserate with.

So here’s to you and Drinky, Eunchan Park. And Drinky and I will get along. First, he does the Mike Nesmith look, which men of a certain age have always appreciated. Second, though the robot can’t talk, it can dance and give a thumb’s up. What more could I ask for every time I whine about scores, complain that the wine has too much alcohol, or that some focus group has decided that it should be overoaked?

2016 Do-it-yourself New Year’s wine resolutions

Do-it-yourself New Year ?s wine resolutionsThe new year means it’s time for the Wine Curmudgeon’s third annual Do-it-yourself New Year’s wine resolutions. Just click on the drop-down menus and select your wine resolutions for 2016. Those who get the blog via email or RSS may have to go the website to use the menus. The 2016 $10 Hall of Fame will post on Friday.

In 2016, I’m going to drink:

In 2016, sweet red wine will:

In 2016, I’m going to buy local wine:

In 2016, the most important wine trend will be:

In 2016, I will buy:

More New Year ?s wine resolutions:
? Do-it-yourself New Year ?s wine resolutions 2015
? Do-it-yourself New Year ?s wine resolutions 2014

The Comet Lovejoy wine phenomenon

comet lovejoy wine
But how do they get a bottling line up there?

Astronomers were surprised to find that some comets produce alcohol, as well as sugar, as they travel around the solar system. “We found that comet Lovejoy was releasing as much alcohol as in at least 500 bottles of wine every second during its peak activity,” said Nicolas Biver of the Paris Observatory in France.

This is huge news, given that one theory supposes that comets crashing into the the Earth 3.8 billion years brought with them the carbon-based organic molecules, like alcohol and sugar, that may have jump-started life on our planet. Which is all well and good, but comet Lovejoy wine raises equally important questions for those of us who worry about those things:

? Do the comets know about the three-tier system? Lovejoy was producing the equivalent of 150,000 cases an hour, and we all know that the country’s distributors aren’t going to let that happen without them. They’ve paid entirely too much money to state legislators to let a comet ruin things. And I can only imagine the horror if Lovejoy passed anywhere near Pennsylvania, with its state store system.

? Will E&J Gallo, the Big Wine producer that has made hundreds of millions of dollars of acquisitions this year, buy the comet to add to its portfolio? A sweet Lovejoy red, since the comet threw off sugar, would slide in nicely next to Gallo brands like Apothic and Barefoot on grocery store shelves. And how could a back label that said “Comet Lovejoy wine — out of this world” miss?

? Can the Winestream Media adapt its tasting notes to comet-produced wine? Toasty and oaky, given how cold it is in space, just aren’t going to work. Maybe something like “hints of vacuum linger on the finish”? And how do you a score a comet wine? Does it get 92 points just because it’s from a comet? Or do you take points off for that, since outer space is not Napa Valley?

Photo courtesy of Adam Block Photos, using a Creative Commons license

A Halloween wine tale 2015: I am Legend

i am legendThe afternoon was cloudy, and Robert Neville didn’t know how long he had until dark. Because he had a lot of work to do — he had made 47 stakes.

•

It hadn’t always been like this. Before the war and the plague and the dust storms, when Virginia and Kathy were alive and people lived on Cimarron Street, life was normal. Or it had seemed that way, driving to work with Ben Cortman, having dinner with Virginia and a nice $10 bottle of wine, and enjoying the weekend barbecues with the other families on Cimarron Street.

Cortman, who lived a couple of house down, always knew where to get the best wine deals. He could find a terrific Sicilian red or a Spanish white or even a French rose for as little as $8, and when Neville asked him how he did it, Cortman would smile and make his usual bad joke: “If I told you, I’d have to kill you.”

Which, of course, is what Cortman was trying to do now. Neville, his 47 stakes driven into 47 lifeless but not dead bodies, was barricaded in the house on Cimarron Street, waiting for daybreak. He had barred the windows, even boarded them up, had reinforced and bolted the doors, and surrounded all with so much garlic that the stench was a permanent part of his life.

Still, the noise from the hundreds of people — if you could call them that — was deafening, and it seemed to get louder every night. Neville knew he must soundproof a room soon; otherwise, the howling was going to make him even crazier than he was afraid he already was.

“Come out, Neville!” Cortman was screaming like he did every night. “We’re ready for you, Neville. We have our Napa cabs and our Super Tuscans, and they all got 98 points. Don’t you want some?”

•

Neville didn’t remember exactly when the plague started. But he remembered the results — people who had thought Bogle was a splurge bringing cult 15 percent pinot noirs to the barbecues, Cortman subscribing to every wine magazine he could find and talking about cigar box aromas and dusty tannins, and Virginia — God, his sweet, gentle Virginia — telling him to pry open his wallet to buy some wine that actually had flavors she could taste.

Neville, though, seemed immune from the plague. He had been stationed in France during the war, and maybe it was the vin ordinaire he had drunk. All he knew was that as the world went high alcohol and over-extracted around him, all he wanted was a little terroir.

So he made stakes, lots and lots of stakes.

•

They still came every night, Cortman and their wailing about $2,000 first growths, but Neville had accepted it. It was them and the end of wine as he loved it, or his daylight bloodletting. There didn’t seem to be a choice.

And then one morning, after he had cleaned out a particularly nasty den, with dozens of empty bottles of 97-pointers and wine magazine back issues open to the tasting notes, he saw her.

She was sitting at a table in the park in daylight, drinking what looked like a Gascon white blend, and reading the book with the green bottle and the brown hat on the cover. And it was daylight. Neville blinked, couldn’t believe what he saw, and then ran screaming toward her. Could it be? Could there be someone else?

•

Her name was Ruth, and she said all the right things. She had been to Italy, had acquired her immunity there, had been running and hiding since the plague started. The same thing had happened to her husband and two sons that had happened to Virginia and Kathy.

Still, Neville wasn’t sure. Maybe it was the way she seemed to be forcing down those 12 percent whites, as if drinking them hurt her. Maybe it was the way she did say all the right things, as if she knew that’s what he needed to hear. But she was out in the daylight. How could that be if she was one of them?

•

When the end came, Neville wasn’t surprised. “I never really believed you,” he told Ruth.

Ruth and her colleagues, most of whom wrote about wine on the Internet, had captured him that morning. They had mutated, had adapted to the plague the way human beings have always adapted. They could live in the light, but they weren’t like Neville.

“It’s better this way,” she said. “Your time is past. We’re going to remake the wine world, so that there is room for everyone, whether you want to spend $10 or $20 or even $50. Even if I don’t like high alcohol, isn’t it OK if someone else does?”

Neville smiled. He could see the others, standing behind Ruth, crowding to get a glimpse of him. And then, before they led him to his death, as he watched them, he realized why they feared — and maybe even admired — him: “I am legend.”

A tip o’ the Curmudgeon’s fedora to the late Richard Matheson. He was a brilliant horror writer who is too little known to mainstream audiences, no doubt because “I am Legend” was turned into three crappy movies, and whose work included the William Shatner Twilight Zone, “Nightmare at 20,000 Feet.” “I am Legend” is not only a first-rate horror story, but its paranoid, noir style speaks to the Cold War era when it was written.

For more Halloween wine tales:
• A Halloween wine tale 2014: Frankenstein
• A Halloween wine tale 2013: Dracula

A toast to Joe Maddon and the Chicago Cubs

joe maddonDear Joe:

OK, so I was wrong. The Cubs — my beloved, wretched, soul-crushing Cubs, who make existential angst seem like a pleasant spring day — made it to the National League playoffs this year. It doesn’t even matter that they clinched a wild card spot when they lost. Or that it will probably be the second wild card spot. Who am I, after more than a century of futility, to be picky?

So, as promised, I owe you a bottle of nice wine. I realize, in our first communication, that I wasn’t clear about the process, and that it seemed I would only pay up if the Cubs won the World Series. That’s mostly because I didn’t expect the Cubs to make the playoffs this year, not with this lineup — a bullpen about an arm and a half short, bald spots in the lineup in centerfield and at shortstop, and too many young, inexperienced players who should have frazzled as the season progressed.

But you did it. Somehow, you managed this team — where one of the shortstops could neither catch nor hit, and more than once reminded me of Roy Smalley Sr. — to the playoffs. I am speechless at that feat, and anyone who knows me will tell you that that happens about as often as the Cubs make the playoffs. Apparently, you are as gifted a manager as the sportswriters say you are, and that your work this season in juggling lineups, caressing egos, offering encouragement, and providing the occasional firm hand was what the Cubs needed. Even more impressive is that you knew they needed it, something only the best managers know. And who usually work for the hated St. Louis Cardinals.

So, which wine? I’d like to hold off on the white Burgundy and the Corton I mentioned before unless the Cubs win the World Series. Otherwise, you tell me. I tasted some terrific Texas wine over the weekend when I was in Lubbock for a story, and there are some interesting California wines you might not know that would work. And we couldn’t go wrong with an Oregon pinot noir, either. But no Champagne, in case you’re wondering.

So, if you get a minute between preparing for the playoffs, let me know. Otherwise, I can wait until the season ends. Which, hopefully, won’t be for another six weeks or so, and I will need to buy the Corton..

Yours in 107 years of Cubs futility (but maybe not much longer),
The Wine Curmudgeon