Tag Archives: sweet wine

Winebits 264: Grocery stores, wine strikes, sweet red wine

? Ontario testing supermarket wine: Two Canadian provinces, Ontario and Quebec, are famous for their state store liquor system. But even they ?re feeling the pressure to deregulate alcohol sales; Ontario has announced a test program to sell liquor and wine in 10 grocery stores. The National Post newspaper reports Ontario wine drinkers will buy wine at state stores set up inside the grocery stores. This means they ?ll have to pay for their wine separately from their food ? not as dumb an idea as Pennsylvania ?s wine vending machines, but not all that brilliant, either. How much fun will it be to wait in two check-out lines during rush hour?

? South African wine workers on strike: Thousands of of South African farm workers are on strike in the Western Cape wine region, says Reuters, part of a series of violent strikes in which two workers were killed and vineyards were damaged. The farm workers, many of them black seasonal hires employed to pick and pack fruit, suspended their strikes in December.

? Consumers clamoring for sweet: And especially sweet red, says Nielsen ? up 62 percent in the year ending Dec. 8. Sweet red, in fact, has passed moscato, last year ?s sales darling, in annual growth. Where this ends is anyone ?s guess (and horrific fear, if I know the Winestream Media), though I ?m sure sweet red is going to get a lot more popular before it peaks. I was at a consumer wine thing last week, and Cupcake Red Velvet was one of the most popular topics of conversation.

Five years, and the five biggest changes in the wine business

Five years, five changes in the wine business

Even Eddie G. is surprised by the changes in the wine business over the past five years.

The blog turns five next week, a period that has given the Wine Curmudgeon a cyber-eye view of some significant changes in the way we drink wine in the U.S. It ?s not the same score-driven, pay as much as you can business that it was when I did newspaper wine writing in the two decades before the recession.

The biggest change? That consumers discovered that they can drink cheap wine without worrying about quality or what wine snobs think. This shift in drinking habits has been well documented, though rarely discussed in the Winestream Media. Head in the sand, I suppose.

But everyone I ask says the same thing (and I ask everyone I talk to). We ?re selling more wine than ever before, they say, but we ?re making less money because we ?re selling cheaper wine and cheaper wine is less profitable. One importer was practically rueful; she said she had never seen anything like it in all her years in the wine business.

The other changes: The multi-national wine producers ? growth and increasing domination of the wine business; the return of sweet wine; the decline and fall of Australia; and the idea of local wine.

1. The rise of cheap wine. In the early part of this century, there was no Two-buck Chuck, no Barefoot, and no Cupcake. There wasn ?t even a sense of cheap wine. Instead, the perception was that there was good wine, which was expensive, and bad wine, which wasn ?t. Two-buck Chuck, the first competently and consistently made cheap wine, started the idea of cheap wine as something that wasn’t junk, and recession-weary consumers embraced it. Wine drinkers who had been taught they needed to pay $15 or more for a decent bottle of wine for dinner discovered they could pay $7 — and they didn ?t notice a difference in quality (because, of course, the wine business never bothered to explain the difference). This process is called trading down, and it looks like it ?s here to stay.

2. The multi-nationals take over. Wine was supposed to be multi-national proof, and even Coca-Cola couldn ?t make it work during its wine foray in the 1980s. That has all changed, and in a huge way. Not only do a handful of wineries make as much as 90 percent of the wine in the U.S., but they are also the most profitable and growing faster than everyone else. This is why so much of the reporting about wine pricing is so wrong. It doesn ?t take into account the ability of these Wine-zillas to set prices regardless of the grape supply. Their economies of scale are one reason, but they can also afford to make less profit on each bottle of wine, hence keeping prices low and retaining market share.

3. The return of sweet wine. In 2007, white zinfandel accounted for almost 10 percent of U.S wine sales, as measured by bottles sold. Four years later, it was just 7 percent. This trend started sometime in the early 2000s, and it looked like white zinfandel ? once the wine that drove ?serious ? wine drinkers crazy because it was sweet ? was fading slowly away. Which may happen, and which may be irrelevant. The wine business has embraced the new sweet wines in a way it never did white zinfandel ? new brands, clever marketing, and the respect that comes from a new cash cow. Even more unbelievable is the rush to sweet red wine, which accounted for 1 percent of wine sales in 2011, as much as malbec.

4. The sun sets on the Aussies. A decade ago, the hip wine was shiraz, Yellow Tail had spawned what seemed like a million critter labels from Down Under, and Australia was the next big wine region. Today, the Australian wine industry is a mess, and retailers tell me they can ?t give shiraz away. How bad is it? The Australian Bureau of Statistics reported earlier this year that the country ?s wine sales declined 2.4 percent in the most recent fiscal year — the first decline ever. The Aussies were clobbered by a doubling in the value of their currency against the U.S. dollar; an almost Wall Street-like feeding frenzy in which the country ?s big producers merged, merged again, and then collapsed; and government policies that encouraged production and produced an almost unimaginable over-supply of grapes.

5. Local does mean wine. The number of regional wineries in the U.S. increased 44 percent between 2005 and 2010, from 1,550 to 2,765, according to the Wine America trade group, We can argue all we want about the quality of local wine or about whether there is a need for it, but that doesn ?t change the fact that it exists, and that it isn ?t going away. There are two generations of wine drinkers younger than the Baby Boomers who have grown up with regional wine, and think that it ?s perfectly normal in the same way Boomers thought TV was normal and didn ?t understand why anyone would want to listen to the radio every evening.

Press releases, the wine business, and doing it right

bad press releasesOne of the guilty pleasures of this business are bad press releases. When one of us gets one, it makes the rounds via email so quickly that you’d think that our job was not writing about wine, but spotting these things. Earlier this year, we got one that was so awful — a release about wine and Valentine’s Day — that the sender actually pulled the release and apologized for sending it.

This is such a sport, in fact, that I have seriously thought about starting a series of wine writing awards called The Curmudgies, which would include a category for bad releases. (Anyone who thinks that this is a scathingly brilliant idea and has money to sponsor the awards is encouraged to contact me.)

What makes a release “bad”? Could be overwrought writing, where every sentence is breathless, every paragraph includes a word that was especially plucked from the thesaurus, and the tone is so fake that it hurts to read it. Could be a wrong direction — my pal Dave McIntyre once got a release for Cover Girl cosmetics. Could be sloppiness, with lots of typos and misspellings and even wrong facts. And it could be its overall sensibility, which is silly to everyone but the sender.

I’ve actually written about this before, back in the blog’s early days. Not much has changed since then, sadly. Lew Perdue at Wine Industry Insight also keeps tabs on these things, and he regularly calls out releases. And his advice doesn’t seem to do much good, either.

I’m not trying to be rude here; I genuinely want to help. If releases are better, my life is easier. But I got one the other day for a wine called Happy Bitch Rose, from which I quote: “Not too sweet and not too dry, Happy Bitch Rose is a sparkling wine with a blend of Chardonnay and Pinot Noir with aromas of melon, strawberry and orange blossom. Its soft, fruity finish ? like prosecco ? pairs well with girlfriend gatherings and creates several memories!”

Sigh.

We’ll skip the marketing concept for the wine, which apparently isn’t taking any chances. It jumps on the snarky name bandwagon, the sweet wine craze, and the chick buddy movie thing. If that’s what the producer wants to do, it’s their money. I’d focus on the quality and value, but what do I know? (And I’m not the only one who feels this way.)

What’s most annoying about the release is that it does so many things to irritate the people that it’s supposed to impress. Which would be those of us who are being asked to write about it. Because, yes, this email has already come up in discussion between those of us who write about wine.

This paragraph, for instance, says nothing: “Happy Bitch Wines will deliver more than a great tasting wine. Happy Bitch Wines is not just about wine, it’s about lifestyle. Our image will be one of living life to the fullest starting right now, enjoying every moment, and choosing happiness as a way of life.”

No kidding. I’m glad to know that I’m choosing unhappiness if I drink something else.

There is a story here — a chance meeting (on Twitter, no less) between two women who wanted to make a wine that would appeal to women. In the male-dominated wine business, that’s newsworthy. But who is going to notice that part? Who is going to wade through the clutter and the overwriting to find that out? Only cranky wine writers who want to make a point on their blog about press releases.

And that’s not the point of press releases, is it?

Cherry cough syrup wine

SyrupThe Wine Curmudgeon has been tasting lots and lots of grocery store red wines lately, almost all of them samples, and he is not happy. Why do so many of these wines taste like cherry cough syrup?

These are not supposed to be sweet wines. They're labeled and sold as dry red wines, with alcohol levels of more than 13 1/2 percent. Nevertheless, they taste sweet and sticky, just like cherry cough syrup. Which, frankly, is kind of gross. More, after the jump:

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Mini-reviews 28: Two Buck Chuck, White Knight, Pacific Rim, Crios

Reviews of wines that don ?t need their own post, but are worth noting for one reason or another. Look for it on the final Friday of each month. Again this month, in honor of record-setting temperatures across Dallas, heat wave wines:

? Charles Shaw Sauvignon Blanc 2009 ($3, purchased): What happens when $3 wine sits in a warehouse too long. Is there so much Two-buck Chuck left that Trader Joe's is still selling the previous vintage? Oily, but not in a good way, without much fruit and a bitter finish.

? White Knight Moscato 2010 ($13, sample): Moscato is supposed to be the next big thing (ignoring for a moment that there isn't enough of it to be the next big thing), mostly because it's sweet and it's not white zinfandel. This one has some orange moscato-like aroma, but other than that, it's just sweet.

? Pacific Rim Sweet Riesling 2010 ($10, sample): A touch of petrol on the nose, and though it's sweet (just 8 1/2 percent alcohol), it has almost enough acid to balance the sweetness. In this, it's sweet enough to appeal to people who want sweet wine, but well-made enough for the rest of us.

? Crios Rose of Malbec 2010 ($12, purchased): Flabby and dull, without much fruit or acid and very disappointing. A rose that I actually didn't want to drink. Crios used to make much better wine.