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Tag Archives: red wine

Expensive wine 65: Alain Hudelot-Noellat Chambolle-Musigny 2003

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Alain Hudelot-Noellat Chambolle-MusignyThe Wine Curmudgeon long ago accepted the fact he would never get to taste most of the world’s great wines. Even if I could afford them, what with prices like $500 for a bottle of Cheval Blanc from an ordinary vintage, availability is difficult.

Which is why I’m always grateful when The Big Guy brings a bottle of Burgundy to the house. These French wines — the red is pinot noir and the white is chardonnay — are his favorites, and we always have a terrific time marveling at how well the Burgundians put them together, and always seem to get a whole that is greater than the parts.

The Hudelot-Noellat ($60, purchased, 13%) is no exception. The producer is one of the most respected in the region, one of those family businesses that make Burgundy We tasted it about 18 months ago, and it was still young and lively, with a zingy, almost tangy fruit aroma and a wonderful burst of red fruit (strawberry, as hard as that is to believe) in the middle. He brought another bottle over last month, and the wine had calmed down quite a bit. It’s probably ready to drink; the fruit is starting to become part of the wine, and isn’t something that stands out. It’s a wonder of oak and tannins, a lesson in how to use oak in pinot noir and how to craft tannins that give the wine structure but don’t overwhelm it.

This is an elegant, subtle wine, one that is gone before you notice what has happened, and then you wonder why there isn’t any left. It’s a reminder of just how good red Burgundy can be, and why it’s so expensive.

Mini-reviews 63: Da Vinci, Fetzer, Villa Maria, Santa Cristina

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Mini-reviews 63: Da Vinci, Fetzer, Villa Maria, Santa CristinaReviews of wines that don’t need their own post, but are worth noting for one reason or another. Look for it on the final Friday of each month.

Da Vinci Chianti 2011 ($12. sample, 13.5%): Much, much better than the past couple of vintages of this Italian red, with an effort made to make it taste more like Chianti and less like merlot from California. This means less soft fruitiness and more earthiness, plus sangiovese’s tell-tale sour cherry.

Fetzer Gewurztraminer Shaly Loam 2012 ($8, purchased, 12%): This white wine won a platinum at the 2014 Critic’s Challenge, and  if that seems to be a bit of a stretch, it’s still an excellent example of an off-dry gewurtzraminer (though it could be a little more crisp), and especially for the price. Look for apricot fruit and white pepper spice.

Villa Maria Unoaked Chardonnay 2013 ($14, sample, 13%): Surprisingly dull white wine from an otherwise fine New Zealand producer, lacking fruit, crispness, and with a very bitter finish. If it didn’t have a screwcap, I’d think it was corked.

Santa Cristina Cipresseto Rosato ($12, sample, 11%): OK Italian rose made mostly with sangiovese, but nothing special, and especially for $12. Could use a little more interest, be it fruit or elegance or even a little acidity. More thin than anything else.

Wine of the week: Cantine Colosi Rosso 2012

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Cantine Colosi RossoSicilian wine has made such advances over the past decade that it was only a matter of time until the Wine Curmudgeon found some that weren’t worth buying. You know the kind of wine, one made to take advantage of being trendy, with too much fruit, not enough interest, and an inflated price.

Fortunately, the Cantine Colosi Rosso ($10, purchased, 13%) isn’t one of those. It’s a red blend, mostly nero d’avola, and the kind of wine that has helped make Sicily what it is today. It’s almost certain to go in the $10 Hall of Fame next year, and has been one of the great joys of my wine drinking this summer. Look for juicy, fresh cherry fruit, and drink it by itself (yes, really) or with any kind of grilled food, be it burgers, sausage, or chicken.

The Rosso was missing the Sicilian earthiness that I like and expect, but it didn’t make any difference. This is an Italian wine that’s about fun and happiness and enjoying your food and the people you’re with. The Rosso doesn’t get in the way and doesn’t demand attention the way so many other wines do (and they know who they are). It’s content to complement what you’re eating or what you’re doing, and isn’t that what every great wine is supposed to do, regardless of price? It’s our great luck that this costs $10 and not two or three times that.

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