Expensive wine, better wine and wine writing
Buried at the bottom of post on a Wired science blog, which recaps research on the expensive wine/better wine issue, is this:
If the only story we can tell about wine is its price, then our pleasure will always be linked to cost, even though this link doesn’t exist in most taste tests. A much better (and more cost-effective) idea is to find some other narrative, to focus on aspects of wine that don’t require a big expense account. Knowledge is free.
Which is a damning indictment of wine criticism — and by science writer and Rhodes Scholar Jonah Lehrer, no less. He writes that it's accepted scientific fact, based on robust research, that expensive wine isn't better wine just because it costs more.
Then Lehrer asks the question that no one in the wine business wants to ask, let alone answer: If there is no correlation between wine price and quality, why does wine writing insist there is? Why doesn't wine criticism deal with what Lehrer calls the subjectivity of taste: "We’ve somehow turned the most romantic of drinks into a commodity worthy of Consumer Reports."
Regular visitors here know how the Wine Curmudgeon feels about that. What's interesting about Lehrer's post is the perspective he brings, which is to understand that there is more than "wine" going on when we drink wine, and he touches on neuroscience, psychology and even philosophy. What happens, he writes, is that "if we think a wine is cheap, it will taste cheap."
All of which, of course, is something that those of us who write about wine rarely take into account. Even I'm guilty of this sometimes. Championing cheap wine just because it's cheap is its own form of snobbery, and just as insidious as any other form of snobbery. What's better, says Lehrer (and what I hope I do more often than not), is criticism based on education. "We should realize that we can make our wines much more delicious, if only we take the time to learn about them," he writes.
Which seems so obvious, and yet is so rarely done.