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TEXSOM International Wine Awards 2015

The wine competition business is at a crossroads, with entries still not back to pre-recession levels, with wineries cutting the marketing budgets that pay entry fees, and with the reliability of competition Read More »

wineofweek

Wine of the week: Lyeth Meritage 2012

Wineries are like rock ‘n roll bands — they come and go for no particular reason, and if you write about wine or drink it, that’s something you need to understand. Just Read More »

winenews

Winebits 374: Wine snobs, wine grapes, lawsuits

• Because we’re better than you are: The Wine Spectator reports that the next big grape will be cabernet franc, mostly because of its “gossamer structure.” The Wine Curmudgeon has absolutely no Read More »

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Wine reviews still matter

The conventional wisdom in the wine business over the past decade that wine reviews — unless you’re the Winestream Media, writing for an audience that desperately needs to know that its $28 Read More »

great quotes

Great quotes in wine history: Arrow

Oliver Queen, the Arrow, has only one thing to say to people who don’t respect regional wine. A tip o’ the Wine Curmudgeon’s fedora to the Dedoimedo website; this post is based Read More »

TEXSOM International Wine Awards 2015

winetrends

TEXSOM International Wine AwardsThe wine competition business is at a crossroads, with entries still not back to pre-recession levels, with wineries cutting the marketing budgets that pay entry fees, and with the reliability of competition results called into question. Hence my curiosity in judging the the TEXSOM International Wine Awards this week, which organizers want to become the wine competition that addresses those questions.

TEXSOM used to be the Dallas News Morning News competition, perhaps the leading wine competition in the U.S. that wasn’t on the west coast. Its new organizers (who include friends of mine) understand how the landscape has changed, and want to find ways to adjust.

That means giving wineries more to market their product than just a medal — finding better ways to publicize the wines that earn medals, working with a wine publication to publish tasting notes for medal winners, and publicizing the medal winners with its audience, sommeliers around the world. TEXSOM started life as educational organization for sommeliers and restaurant wine employees, and much of its focus remains there.

In addition, this year’s competition included some double-blind judging, apparently in response to the questions raised about whether medals mean anything. This was particularly intriguing given the quality of the judges, many of whom have MS or MW after their name, and almost all of whom are among the country’s wine retail, wine writing, and winemaking elite. (Whether one can include me in that group I’ll leave to the readers of this post.)

Finally, a word about the wines — or, in this case, not much of a word. I didn’t judge the first day of the two-day competition, thanks to our annual Dallas ice storm. Day 2 was 98 wines, almost all from California, and most of those from Paso Robles. We gave more than our share of golds (two cabernet sauvignons and a viognier in particular),  and especially silvers, but few of the wines were memorable. But that’s hardly enough of a sample size for a fair judgment.

Wine of the week: Lyeth Meritage 2012

wineofweek

Lyeth MeritageWineries are like rock ‘n roll bands — they come and go for no particular reason, and if you write about wine or drink it, that’s something you need to understand. Just because a winery made a great wine one vintage is no guarantee it will be around to make a great wine five years later.

Which is much of what you need to know about the Lyeth Meritage ($12, purchased, 13.5%). In the 1980s and early 1990s, this was one of the world’s great wine values, and then it disappeared. I had not seen it in 20 years until I was digging through the bottom shelves of a Dallas wine shop a couple of weeks ago, and there it was.

Hence this very unexpected — but very positive — Lyeth Meritage review. A Big Wine company bought the Lyeth name and has been turning out a full line of wine for the past couple of years. They have done an excellent job with the Meritage, a red blend that’s mostly merlot and cabernet sauvignon. And it shows just how good cheap wine can be when the producer cares — terroir, even. Look for sweet Sonoma black fruit, earthiness, and tannins that offer some grip, each part in balance with the other.

Highly recommended; big enough so that it would complement red meat, but not so big you can’t sip it in the evening after work. And if Lyeth can come back, does that mean there’s hope for Rockpile?

Winebits 374: Wine snobs, wine grapes, lawsuits

winenews

wine snobsBecause we’re better than you are: The Wine Spectator reports that the next big grape will be cabernet franc, mostly because of its “gossamer structure.” The Wine Curmudgeon has absolutely no idea what this means, because, as the article points out, I’m one of the many who aren’t hip enough to appreciate the grape. Plus, there are cabernet franc wines at trendy places in Manhattan. Plus, quotes from sommeliers. Need we say more? This is the kind of wine writing that makes me grit my teeth, knowing I still have so much work to do.

Something besides the usual: The always erudite Andrew Meggitt writes that wine drinkers should not limit themselves to the usual, but should be willing to experiment with wine made with different grapes and from regions that aren’t California. And, somehow, he doesn’t use the word gossamer once. Meggitt, the winemaker at Missouri’s St. James, has been working wonders with norton for more than a decade, and also recommends vignoles, chambourcin, and riesling. Maybe I can introduce him to the writer at the Spectator.

Bring on the attorneys: How else to explain this sentence? “Beam Suntory’s lawyers have argued that a reasonable consumer would understand that having ‘handmade’ on a label does not infer that no machines were used throughout the entire production process.” No wonder my mother wanted me to go to law school — you can make words mean what they don’t, and get paid lots of money for it. This is from yet nanother deceptive label spirits lawsuit, arguing that it’s not possible for a multi-million case brand to be handmade or handcrafted or artisan. So far, the suits target spirits, but the Wine Curmudgeon’s advice makes sense: Don’t wait for a judge to tell you to change your labels.

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